#while searching for this image

[kates-dump]

this is so cute but why does it make me think of this

[theorder6]

Babby's 2st post :) modern tech is infuriating, and it was either this or I write a manifesto.

[tasaq]

[theoldworldsrunnerup]

Death Note Characters as eyeshadow palettes

[sunnymainecoonx]

I know damn well I misunderstood the assignment but we roll, I'll understand it some day

It's killer and dust btw. If you couldn't tell. Which you probably couldn't.. forgor to say but shhh 🤫 Killers having a convo with himself..

..I kinda wanna change my url but idk to what

[entguarde]

thank you griffin mcelroy for giving us the world’s most beautiful bear god fucking bless

[ID: a sketchy gouache painting featuring Barry Bluejeans and Lup Taaco from TAZ: Balance.

Barry is depicted as a fat, hairy white man with a scruffy beard and a light brown mullet. He is wearing rectangular glasses, a tank top, blue jeans, and a red robe wrapped around his waist. In one hand he is holding a clipboard and with the other he is straightening his glasses. He has a pencil behind one ear.

Behind him (and on the bottom in a separate drawing) is Lup, a slim elf woman with long ears, wavy hair in a ponytail and a lion-like tail. She isn’t colored, but she’s shaded in blue.

Barry is looking off to the distance with an excited grin. A text bubble next to him says “*Infodumping*”. Lup is staring at him with a mix of shock and probably lust, her eyes cartoonishly wide.

Below the painting is a sketch of Lup, visibly flustered and reclining her head on her hand. A thought bubble above her says in all caps “I need him”. End description]

[californiastatelibrary]

You might see this image and think to yourself, "Wait, are those people playing baseball on skis?" and the answer to that question is yes.

Between 1940 and 1975, the Silver Belt Race was held at Sugar Bowl. It was a giant slalom run that began near the top of Mt. Lincoln. In 1955, the contestants played a baseball game on skis after the race. Contestants included: Bill Beck, Warren Miller, Chris Schwarzenbach, Doc Howard, Suzi Harmon, Joyce Conner, Gardner Smith, Steve Knowlton, Yves Latreille, Joan Auckenthaler, John Jay, Cathy Cary.

View all images

[odo-apologist]

[dragonnon]

why does it feel like sometimes Kazuma's themes could just be from the perpective of Ryunosuke? which is interesting considering the line Kazuma says, "i'm not the one who's changed Ryunosuke, you have."

Kazuma's first theme sounds like a downright heroic folk hero, someone you look up too and can depend on. the meter is focused and stays on point, every individual instrument waits for their perfect intervals. the bass instrument keeping them all steady. then an arpeggio comes and the original melody instrument stands aside and only plays as an accompaniment before coming back as lead with fanfare playing as it leads back to the main melody. there are a lot of japanese instruments in the song which go away in later themes. there is a kagura-suzu which is japanese bell! i really like it's sound!!!

in Nocturne, instruments are overlapping more but are quieter for the main melody which i think is the koto. it's no longer so steady, the bass is gone and i interpret the bass with his life/passion. no longer feels like a force always by your side more like a tun playing in your mind. the determined and steadfast arpeggio is gone and never comes back. and there are these contemplative plucking violin(?) strings in the middle section. they give me of the feeling of reminiscing. i feel like the last part before it repeats is Ryunosuke remembering all of the good times they've had, and then once it repeats that's him remembering he's gone. in this theme, all the other instruments take a real backseat to the main one. it's Ryunosuke remembering the best part of him, his main melody so to speak. the Kagura-suzu is still here.

In His Glorious Return, it starts out like a very triumphant and yearned for version of samurai on a mission (if that makes sense) until the brass section rests and it becomes almost exactly like Nocturne, something i find extremely interesting because of that part where susato was talking to kazuma in the departed soul scene, ryunosuke was looking towards the ground lost in thought around the same time this part plays i believe? it's almost as if he's remembering all the times he's grieved him.... thus the nocturne version playing.

the Kagura-suzu is now gone :( it is now "replaced" with snapping.

A prosecutor reborn, oh my god a prosecutor reborn, if it didn't have the same melody i almost wouldn't be able to tell it's the same character. most of his original japanese instruments are gone, and have been replaced with ones that are more associated with britain's characters. almost as if he seems more alien to Ryunouske. he borrows several instrument's from barok van ziek's theme, like the violin, and harpsichord. and yeah, the harpsichord absolutely haunts this song. it's EVERYWHERE. someone told me once the harpsichord represents the professor, so that's FUN. it's not like the professor absolutely haunts this guys life (,:'D)

i think the only thing he keeps is his bass which is used way more sparingly than it is in SOAM. and interestingly, the kagura-suzu is back, but it is only used like twice i think. (☹️), its still kinda replaced with the snapping

The opening almost sounds like an unveiling, as if seeing the man for first time and he's utterly terrifying. and then it jumps straight into this unfamiliar melody not heard anywhere in any of his other themes. it's reminiscent of barok van ziek's theme. ...because Ryunosuke barely recognizes him. he's nothing like who he's known... right? and it just keeps getting grander and grander! it then comes back to this more familiar part kazuma's iconic motif, but the notes are now in legato, and the melody's been changed by one note, and though it's only one it is NOTICEABLE. it distracts from how everything else about that section was so familiar. (when i first heard it i was actually taken aback)

now for the part that i'm crazy about

THE MIDDLE SECTION HAS THE GATEWAY TO THE TRUTH

THEME WHICH IS THE SAMD MOTIF THAT PLAYS IN THE PROFESSOR THEME! IF YOU LISTEN TO THEM BACK TO BACK YOU'LL HEAR THEM! Kazuma could've BEEN the professor if he didn't turn his heel and left! if he had killed gregson in pursuit of his mission, he could've become that! and the fact that motif is in this song is so important in showing that. just WOW. this song is Ryunouske finally seeing a different side to kazuma. him in his grief and rage, him at his 'worst' it's quite unlike how ryunosuke sees him in nocturne where it seems he is remembering only the absolute best parts about him like it's so easy to do when in grief.

listening to his themes with all that in mind has been a tear-filled hell for me, but it's always how i've thought of it basically.

[cantheykillmacbeth]

Any of the plants from Plants Vs. Zombies could kill MacBeth, since they are grown from seeds rather than being born. Additionally, certain plants (such as Cactus and Sunflower) are referred to with she/her pronouns in the Almanac, so they apply for the Gender Clause. And finally, the plants are planted by the player, so if the player is not female, then all of the plants qualify for the Birth Parent Clause (certain plants are planted by Crazy Dave, but he is a male, so they apply for the BPC regardless)

Also, I know it's not part of the curse, but Torchwood and Oak from PvZ: GW2 and PvZ: BfN, respectively, could be used to make Birnam Wood come to Dunsinane

Yes, Any Plant from Plants vs. Zombies could kill Macbeth!

As explained above, the plants in PvZ are grown from seed packets and not born, so they all apply for Unconventional Birth Clause. While some rare individual plants are specified to have been planted by Crazy Dave, for the most part, whether or not a plant applies for Birth Parent Clause relies entirely on the gender of the player, as you are the person planting them in-universe.

For Gender Clause, this is again mentioned above, but almost every plant has specified pronouns, usually in the in-game Almanac, though those that don't are often specified outside of the game by Stephen Notley, who writes the official Almanac entries. Most plants seem to be referred to with he/him pronouns and therefore wouldn't count for Gender Clause, but there are many such as Sunflower and Cactus that are she/her, as well as Dazey Chain who canonically uses they/them.

Thank you for your submission! -Mod Anthem

[solthecelestine]

I'm EAT SHIT

and i'm DIE

THE FUCK YOU SIBLINGS

[soundleer]

Might I propose that one "forever weed brownie" meme, but with Vineria & Jevin?

oh my god wait that's byoutiful thank you for that anon now imma just

forever weed :))

[captain-ghost]

Two in one day, aren't you all just so lucky.

[pizzazz-party]

Day twenty six! This is the last request in this challenge. I was asked to do a take on a sketch by Stan Sakai. The requester didn’t ask for the cowboy hat to be added, but I really wanted it.

[tokyo-daaaamn-ji-gang]

the salesman in squid games season two reminds me SOOOO much of bad toman hanma please tell me you see the vision

Lmao this guy???? I can see it! It's the vibes, like they both have these vibes that they know more then they're letting on (I mean a lot of people thought Hanma was a time leaper and knew more and it's clear what the salesman knows). Also the whole smiling and positivity thing while others are suffering. I can definitely see it.

[mcr-asmythicalbeings]

The Werewolf